CHRONOLOGICAL CATALOGUE OF COMPOSITIONS
1. Items
based on the same musical material are shown as equivalent
with ≈ .
2.
Titles,
dates, etc. within square brackets [ ] are editorial.
3.
Opus
numbers within curved brackets { } belong to the composer's
first series.
1. COMPLETE WORKS
1.0 [Zehn
Frühe Lieder.] 1920. S, pno.
1.1
1.
Hymnus aus Der
brennende Dornbusch. 22 May
1920. Text: Oscar Kokoschka. [≈70.1]
Zwei Lieder von Mechthild von Magdeburg. 4 June 1920.
1.2 2. Wie
der Liebeswunde gesunde.
1.3 3. Lied
der Minne.
1.4
4.
Vöglein Schwermut. Text: Christian Morgenstern. 13 June
1920. Ded: Milan Morgenstern.
1.5
5. Der
Abend ist mein Buch. Text: Rainer Maria Rilke. 17 June
1920.
1.6 6. Lied
aus Des
Knaben Wunderhorn, Rothe
Äuglein. 21 June 1920.
1.7
7.
Gebetsspruch des von der Sternegasse (um 1320). 16 Aug
1920.
1.8 8.
Schlummerlied. Text: Catherine Godwin. Summer 1920.
1.9
9.
Kleiner Erfolg. Text: SW. Summer 1920.
1.10
10.
Idylle. Text: SW. Summer 1920.
2.0 Vier
Adagien. 1920. Pno. Ded: Else Schlomann.
2.1
1. Nicht
zu langsam. April 1920.
2.2 2.
Leichte Achtel.
2.3a
3a.Langsam,
etwas starr. 6 Sept 1920.
2.3b 3b.Gesang,
weil ich etwas Teures verlassen muss. Ded: Friedl Dicker.
2.4
4. Nicht
zu langsam. Dec 1920.
3
Adagio,
[No. 5]. Un poco maestoso. 27 Sept 1920. Pno.
4.0 Drei
Klavierstücke, {op. 5b}. April 1923. Ded: Erwin Ratz.
4.1
1. 22
April 1923.
4.2 2. 13
April 1923.
4.3
3. 15
April 1923. [≈70.2]
5
Schattenspiel-Musik
für 3 Singstimmen a capella, {op. 8}. July 1923. S, Mz, A.
6.0
Fünf
Lieder von Friedrich Hölderlin, 1924, 1927; revised in 1935
as op. 1. Mz, pno.
6.1
1.
Hälfte des Lebens. 1924. Ded: Friedl Dicker.
6.2
2. An
Diotima. 1927. Ded: Ola Wolpe.
6.3
3.
Diotima. 1924. Ded: Anna und Erwin Hirsch.
6.4
4. Der
Spaziergang. 1924. Ded: Ferruccio Busoni.
6.5
5.
Zufriedenheit. 1924. Ded: Emmy Heim.
7.0
Duo für
zwei Geigen, op. 2. Dec 1924. Ded: Victor Schlichter.
1. Allegro molto. 2. Presto (Besessen). 3. Romanze. [inc.]
8.0 Bearbeitungen
Ostjüdischer Volkslieder [Arrangements of Yiddish
Folksongs] {Op. 14}. 1923, April 1925. Ded: Raja
Ermolnikoff.
8.1
1. Inter
dem Kinds Wigele. (Wiegenlied). 1925.
8.2
2. Be
man Mames Hasele. April 1925.
8.3
3. Amul
is gewen a klaein Yidele. (Kinderlied). April 1925.
8.4
4. Alle
Menschen tanzendik. 9 April 1925.
8.5
5. Wi
asoi ken listik san? (Mädchenlied). April 1925.
8.6
6. Es
kimt gefloigen gilderne Pawe. Oct 1923.
9.0
Drei
Lieder nach Heinrich von Kleist, op. 3. Aug, Sept 1925. S,
pno.
9.1
1. Der
Engel am Grabe des Herrn.
9.2
2.
Gleich und Ungleich. Eine Legende nach Hans Sachs.
9.3
3. Die
beiden Tauben. Eine Fabel nach La Fontaine.
10.0
Sonate
für Klavier, “Stehende Musik” {op. 1}. 1925.
10.1 1.
Schnell.
10.2 2.
Andante (later op. 3a) (pub. as Early Piece for Piano)
[≈70.5]
10.3
3.
Schnell [inc.]
11
[Fragment.
Klopstock.]
12.0
Neun
Vertonungen aus Gitanjali
von
Rabindranath Tagore. 1926. A, pno.
12.1
1. O du
letzte Erfüllung des Lebens. Jan 1926.
12.2
2. An
dem Tage, da der Tod. Jan 1926.
12.3 3. Ich
weiss, es wird kommen der Tag. Jan 1926.
12.4
4.
Gottheit des zertrümmerten Tempels.
12.5
5. Voll
verzweifelter Hoffnung.
12.6
6. Bist
du draussen in stürmischer Nacht.
12.7
7. Ich
ging als Bettler von Türe zu Türe. Feb 1926.
12.8
8. Ich
hab mein Urlaub erhalten. Feb 1926.
12.9
9. In
dieser Zeit meinen Abschieds. Mar 1926. [inc.]
12.10
10. Ich
wusste den Augenblick nicht. Mar 1926 [inc.]
12.11
11. Wenn
ich von hier geh, Var. 1. Mar 1926. [inc.]
12.12
12. Ich
schmücke Dich mit Trophäen, Var. 2. [inc.]
13.0
Zwei
Tänze für Klavier: Blues, Tango. 1926.
1.
Blues. 2. Tango. Feb.
14.0
Zwei
Fabeln für Bariton und Klavier. 1926. Bar, pno.
14.1
1. Der
faule Bauer mit seinem Hunden. Hans Sachs. Dec 1926
14.2
2. Ein
Tier im Monde. Jean de la Fontaine. 1926. [inc.]
15 [Fragment.
Rilke Cantata.]
16
Zwei
Typen deutscher Lieder. [1926?]. Pno. Ded: Gottfried
Galston.
17
Invention.
Mar 1927. Pno. [≈70.3]
18
Fuge a
3. Aug 1927. Pno. [≈70.4]
19
Tango. 4
Sept 1927. Pno.
20 Rag-Caprice.
1927. Pno.
21 [Fragment.
March.]
22.0
Zeus und
Elida, op. 5a. Musikalische Groteske für Solisten,
Sprecher, Chor und Orchester. Text: Karl Wickerhauser, Otto
Hahn. 1928. 3 sax (cl, Bcl), 2 tpt, trb, sousaphone, 2 cb,
tenor banjo, perc, 12 vn, pno (cel). Bar, S, B, T, SATB.
Ded: Ola Okuniewska.
1. Charleston. 2. Tango. 3. Boston. 4. Jazz-Duett
(Foxtrot). 5. Konzert mit Variationen. 6. Blues Solo und
Duett mit Chor. 7. Fortsetzung des Konzertes. 8. Czardas.
9. Coda--Potpourri.
23
[Fragment.
Choral piece.]
24.0
Schöne
Geschichten (Pretty Stories), für Andeutungsbühne,
Schauspieler, Sänger, Marionetten, Chor und kleines
Orchester. Op. 5b. Text: SW, Otto Hahn. 1927-9. Fl, 2 cl
(sax), tpt, trb, perc, vn, pno. 2 male singers, male
chorus.
1.
Wissenschaft. 2. Religion oder die Geschichte von der
Begegnung mit dem lieben Gott. Sept 1927. 3. Recht oder die
Geschichte vom Herrn Tannenbaum. Nov 1927. 4. Bildung oder
die Geschichte von der Balzac-Ausgabe. Mar 1928. 5. Liebe
oder die Geschichte vom Papier. July 1929. 6. Philosophie.
7. Patriotismus.
25
Eine
unterdrückte Klasse. Text: Vladimir Ilyich Lenin. Jan 1929.
High voice, pno. [≈33.1]
26
An Anna
Blume von Kurt Schwitters, op. 5c. Text: Kurt Schwitters.
Mar 1929. T, pno.
27
Decret
Nr. 2: An die Armee der Künstler. Text: Vladimir
Majakovski. May 1929. High voice, pno. [≈33.2]
28.0
Drei
Lieder nach Gedichten von Erich Kästner. 1929. Med voice,
pno.
28.1
1.
Fantasie von Übermorgen. June 1929.
28.2
2. Brief
eines Dienstmädchens mit Namen Amalie. 1929.
28.3 3.
Ansprache einer Bardame. [1929]
29.0 Blues,
“Stimmen aus dem Massengrab,” Marsch. [Nov] 1929. Speaking
chorus, 2sax (cl, Bcl), tpt, perc, 2 pno. Ded: Teddy
Stauffer.
29.1
1.
Blues.
29.2
2.
Stimmen aus dem Massengrab. Text: Erich Kästner.
29.3 3.
Marsch.
30
Musik
zu Hamlet,
Dritter Aufzug, zweiter Auftritt. Renaissance Theater.
Langsamer Satz. 1929. Fl, cl, vc.
31 Presto
agitato. 1929. Pno. [≈70.6]
32
Tanz
(Charleston). 1929. Pno. Ded: Laszlo Moholy-Nagy.
33.0
Vier
Lieder auf Texte von Lenin, Majakowski und anderen, op. 7.
33.1 1. Eine
unterdrückte Klasse. Text: Vladimir Ilyich Lenin. Jan.
1929. High voice, pno. [≈25]
33.2
2.
Decret Nr. 2: An die Armee der Künstler. [≈27]
33.3
3. Was
ist "Aufruhr"? Text: "Weh." Speaker, pno.
33.4 4. Auch
die kleinste Tat. Text: Hans Eckelt. Jan 1930. Speaker,
pno.
34.0
Drei
Lieder von Willi für Alt und Klavier, op. 8. Text: Willi
Bär Wolpe. 1929. Ded: Willi.
1. Arme
Schwester auf der Straße. 2. Ich habe meine Katze begraben.
3. Der Du nichts sehen kannst.
35
[Fragment.
Prolog für Troilus
und Cressida.]
36.0
Drei
Arbeitslieder von Thomas Ring, op. 9. 1929-1930.
1. Bohrerlied. 1929. 2. Schifferlied. 1929. 3.
Bergmannslied. [1930]
37.0
Zwei
Lieder nach Gedichten von Johannes R. Becher. [1930]
37.1
1. Die
Partei. High voice, pno.
37.2
2. Der
tausendjährige Lenin. Mz (or A), SATB, pno.
38
Ballade
von Karl Schmidt aus der grauen Stadt, op. 11. Text:
Johannes R. Becher. 1930. Unison chorus, pno.
39.0
Acht
Lieder auf Texte von Heine, Ottwalt, Weinert, und anderen,
op. 12. 1929-1932. Med voice, pno.
39.1
1. Erst
haben sie. Text: Ernst Ottwalt. 1929.
39.2
2. Das
Lied vom Abbau. Text: Erich Weinert. 1931.
39.3 3. Auf
dem Weihnachtsmarkt. Text: Erich Weinert. 1930.
39.4 4. Die
Herrn der Welt. Text: Erich Weinert. 1931.
39.5
5. Wir,
die Berliner Metallarbeiter. Text: Walter Hoffmann. 1930.
39.6 6. Wir
sind entlassen [Bankenlied]. Text: J.-B. Clément, trans.
Siegmar Mehring. 1932.
39.7 7. Die
schlesischen Weber. Text: Heinrich Heine. 1929.
39.8 8. Alle
für alle (Lied des 1. Mai). Text: Erich Weinert. 1931.
40.0 Politische
Satyren. 1929-1930.
40.1
1.
Wahltag. Text: Thomas Ring. 1929.
40.2
2. Thema
mit Variationen. Text: [Franz Boensch?] n.d.
40.3
3.
Bonzensalat. Text: Franz Boensch. n.d. [inc.]
40.4
4.
Hitler. Text: [Franz Boensch?] 1930. [inc.]
41.0
[Fragment.
Zwei Liedfragmente von Ernst Ottwalt.] n.d. Med. voice,
pno.
42.0 Vier
Antikriegslieder, op. 16.
42.1
1.
Antikriegslied. Text: Ludwig Renn. [1931]
42.2
2.
Kampfruf. Text: Erich Weinert. n.d.
42.3 3. Rote
Armee. Text: Johannes R. Becher. n.d.
42.4
4. Rote
Soldaten, rote Kolonnen. Text: Siegfried Moos. n.d. [≈96.8]
43 [Fragment.
Deutschland.]
44
[Fragment.
Kein Dirnenlied.]
45
[Fragment.
Lied der roten Stürmer.]
46 [Fragment.
Die Passion eines Menschen.]
47.0
Musik
zur Die
Mausefalle, op.
18a. Text: Gustav von Wangenheim. 1931. Theater revue of
Truppe 31. Voices, piano. 17 numbers complete, 2
incomplete.
47.7
7. Das
Lied vom Nebenmann.
48
[Fragment.
Sportrevue, Alles
an den roten Start.]
49.0
[Various
Cabaret, Agitprop, and Marching Songs. 1929-1932]
49.1
1. Der
Hungerkünstler. Text: Max Kolpe. 1929. Med voice, pno.
49.2
2.
Bauernlied. Text: Thomas Ring. 1930.
49.3
3. Es
wird die neue Welt geboren. Text: Ludwig Renn. 1931.
[≈46.12]
49.4
4.
Freches Liedchen. Text: Ludwig Renn. 1931.
49.5 5. Haben
Sie Kummer. [Agitproptruppe "Roter Wedding."] 1931. Text:
Siegfried Moos.
49.6
6.
Auftrittsmarsch. Agitproptruppe "Roter Stern". n.d.
49.7
7. Lied
des ATBD. Text: Max Jensen. n.d.
49.8
8. Lied
des IATB. Text: Fritz Gumbel. 1931.
49.9
9. Links
den Kurs. Text: Franz Boensch. 1931.
49.10
10. Ob
du an der Maschine stehst. Text: Franz Boensch. 1931.
49.11
11. RSI
(Rotes Spartakiade-Lied). Text: Max Stolle. [July] 1931.
49.12
12.
Stark ist die Mauer. Text: anon. 1931.
49.13
13.
Arbeit und Kapital. Text: Martin Lindt. 1932.
49.14
14.
Stählt die Muskeln. Text: Siegfried Moos. 1932. From no.
48.
49.15
15. Lied
der Arbeiter-Musiker. Text: Franz Boensch. n.d.
49.16
16.
Proleten auf zum Durchbruchskampf.
49.17
17.
Täglich schuftet früh und spät.
49.18
18.
Stempellied. Text: Martin Lindt. n.d.
49.19
19.
Frieden heißt Sieg. Text: D. Ussov.
50.0 Musik
zu Da
liegt der Hund begraben, op.
18b. Text: Gustav von Wangenheim. 1932. Voices, sax (cl),
tpt, trb, pno, perc. The second Theater Revue of Truppe 31.
51
[Fragment.
Wer
ist der Dümmste.]
52.0
Zwei
Studien für Grosses Orchester. 1933
1. Ouvertüre. Sept 1933. 2. Pastorale in Form einer
Passacaglia. Sept-Oct 1933.
53
Zwei
Studien für Grosses Orchester. 1933. Arranged for two
violins and piano.
54
Marsch
und Variationen für zwei Klaviere, op. 21. 1933-4.
55.0 Musik
für Molières Eingebildeten
Kranken [Le
Malade imaginaire].
Habimah Theatre, Tel Aviv. July 1934. Fl, cl, vn, va, cb
55.1
1.
Ouvertüre Akt 1: Thema mit Drei Variationen und Coda.
55.2
2.
Ouvertüre Akt 2: Rondo.
55.3
3.
Rezitativ und Duet.
55.4
4.
Ouvertüre Akt 3: Schlafmusik in Form einer Passacaglia auf
einem Baß von Schönbergs Streichquartette op. 10.
55.5
5.
Traumtanz: Suite von kleinen Tanzstücken.
56.0
[Fragment.
Konzert für Neun Instrumente.]
57
[Fragment.
Zärtliche Adresse.]
58.0
Cinq
marches caracteristiques, op. 10. 1928-1934. Pno.
58.1
1.
Energisch und belebt. 1928.
58.2
2. Ruhig
im Schritt. n.d.
58.3
3.
Feurig, energisch. n.d.
58.4
4. Ruhig
im Schritt (Trauermarsch). 1931. [≈46.7]
58.5
5. Vivo
e sereno. 1934.
59.0 [Hebrew
Solo Songs. 1934-37]
59.1
1. I-ka
dur olam poreach (Lied von der blutigen
Rüstungsinternationale). (Song of the bloody armament
makers.) Aug 1934. Med. voice, pno.
59.2
2. (We
are one driven tortured flock). 1935. Hebr. text: anon.
Eng. trans. by Sulamith Sitarfskin made in New York [194-].
Med. voice, pno. Original setting of the Hebrew does not
survive.
59.3
3. Ani
meo di hapach peched (If it be my fate). Text: Rachel.
1936. Med. voice, pno.
59.4 4. Ve
hinehu shuv lefanai (Behold him and see). Text: Rachel.
n.d. Medium voice, pno.
59.5
5.
Tsedaktem habonim. 1936. Med. voice, pno.
59.6
6. Sim
shalom. 1937. Med. voice, pno. [≈69.3]
60.0
[Hebrew
Choral Songs. 1934-8.] SATB
60.1
1. Olam
chadash. Ger. text: Ludwig Renn, Es wird die neue Welt
geboren. Hebr. trans: Sinai Leichter. [1934]. [≈46.12]
60.2
2. Ve
aba amar. 1934. Unison chorus for Kibuz Ein Harod.
60.3 3.
[Fragment. Regel Harima.]
60.4
4.
Tsedaktem habonim (You were right). Hebr. text: Saul
Tchernichovsky. Eng. trans: Hilda Morley. 1936.
60.5 5. Tein
li chaveir. Ger. text, Oscar Maria Graf. Hebr. trans.,
Sinai Leichter. n.d. [≈110.1]
60.6a
6a. Bim
komoteinu (We have a court of justice). Ger. text: Gerhard
Hauptmann, Die
Weber. Hebr.
trans., Nathan Altermann. 1938.
60.6b 6b. Men
whose boast it is (Bim Komoteinu). English trans. James
Russell Lowell.
60.7
7. Kvish
[Road]. Text anon. 1937.
60.8
8. Shir
hanapach (Esh) (Song of the Blacksmith). Text: Nathan
Altermann. 1938. SATB.
61
Ali
b'eir [The Well]. Text: Nathan Bialik. 1935. Arrangement of
melody: Sara Levi- Tanai. SATB.
62.0
Vier
Studien über Grundreihen (Four Studies on Basic Rows), op.
23. 1935-6. Pno.
62.1
1. Study
on Tritones. Jan 1936.
62.2
2. Study
on Thirds. (Reihenstuck No. 1). Oct 1935.
62.3
3.
Presto Furioso: Study on a set of expanding and contracting
intervals. 1935.
62.4
4.
Passacaglia. Feb-Mar 1936, rev. 1972.
63
Passacaglia,
op. 23. Transcribed for 2 pno. Mar 1936.
64.0
[Drei]
Kleinere Canons in der Umkehrung zweier 12-tönig
Correspondierender Hexachorde. 1936. Va, vc.
1. Lento
ma non troppo. Aug. 2. Andante amabile. 3. Allegro giusto.
Sept.
65.0
Suite im
Hexachord, op. 24b. 1936. Ob, cl.
1.
Sostenuto. 2. Pastorale. Molto lento. Nov. 10. 3. Fuge.
Allegro moderato. Dec. 4. Adagio.
66
Passacaglia
for Full Orchestra, op. 23. 1937. Arrangement of
Passacaglia for pno [≈62.4].
67.0 Zwei
Lieder aus dem Hohenlied für Alt und Klavier, op. 24. 1937.
67.1
1. Smolo
tahat roshi (His left hand is under my head). Text: Song of
Songs, Ch. 8, 3. Feb 1937.
67.2
2.
Simeini kahotam (Set me as a seal). Text: Song of Songs,
Ch. 8, 6. Mar 1937.
68.0
Zwei
Chinesischen Grabschriften (Two Chinese Epitaphs), op. 25.
Ger. text: Louise Peter; Eng. trans: Elizabeth
Papernow-Shapiro. May 1937. SATB, drums.
68.1
1. Zwölf
Bauern (Twelve peasants).
68.2
2. Von
einer Handvoll Reis (They gave us grains of rice).
69.0
Four
Songs from Ballad
of the Unknown Soldier, op.
27. Text: Moshé Lifshitz. Hebr. trans: Nathan Altermann.
1937. SATB.
69.1
1. Zot
hi habaladah [Life flows onward].
69.2
2. Al
admateinu [On this our blessed land].
69.3
3. Sim
shalom [Give peace to the tree]. [≈59.6]
69.4
4.
Hachayalim ts'u lilchom [Know how to fight].
70.0
Sechs
Klavierstücke 1920-1929, op. 7. Collected and revised,
1936-7.
1.
Hymnus. 1920. [≈1.1] 2. Variation. 1923. [≈4.3] 3.
Invention. 1927. [≈15] 4. Fuge a 3. 1927. [≈16] 5. Andante.
1925. [≈10.2] 6. Presto agitato. 1929. [≈31]
71
Arrangment
of J.S. Bach, Musical Offering, Fuga a 3. 1937. Strings.
72.0
Drei
Lieder für Bass und Klavier. 1938.
72.1
1. Die
Reichen sich das Rechts erfreuen. Text: Miculás Daciskey
von Heslova. Feb 1938.
72.2
2. An
Dich. "Fremder, fremder." Text: Walt Whitman. March 1938.
72.3
3.
Orechower Herren. Text: anon. [inc.]
73.0
Vier
Lieder für Alt oder Bariton und Klavier, op. 29. 1938
73.1
1.
Jassurim anach nu. Text: Serubavel. April 1938.
73.2 2.
Perach ki perach (Epitaph). Text: Serubavel. March 1938.
73.3 3. R'u
katsiporim. Mul fresko schel ribera (On a fresco of Diego
Rivera). Text: Noach Stern. Mar 1938.
73.4
4.
Rechot, "Lilakh". (Lilacs). Text: Noach Stern. April 1938.
74
Zror
hamor dodi li, op. 30 Text: Song of Songs, 1:13-16. June
1938. Mz, cl, pno. Ded: Anne Hirsch.
75
La-menatzeach
al ha-mecholot. Dem Tanzmeister (To the Dancemaster). Text:
Chaim Nachman Bialik. June 1938. Mz, cl, pno.
76
Hoi
khoshvei (Lines from the Prophet Micah). Text: Micah,
2:1-2, 7:3-4. 1938. Bar, pno.
77
Ki
hin'ni (Isaiah). Text: Isaiah, 65:17-22a, 25. 1938. Bar,
pno.
78.0
[Four
Hebrew Choral Arrangements.] 1938. SATB.
78.1
1. Haseh
hato'eh [The Lost Goat]. Text: Miriam Pollack. Melody: Sara
Levi- Tanai.
78.2
2. Seh
ug'di [The goat and the kid]. Text and melody: Mattiateheu
Weiner (Shelem).
78.3
3. Sisu
v'simchu [Rejoice and be merry]. Text and melody: Shelem.
78.4
4.
Na'alzah v'nism'chah [Let us be joyous and merry]. Text and
melody: Shelem.
79
[Fragment.
Sonata für Hoboe und Klavier.]
80.0
Folk
Songs of the New Palestine. 1938. Arrangements, voice, pno.
80.1
1.
Salenu al ktefenu (Our baskets on our shoulder). Text:
Levin Kipni Melody: Admon.
80.2
2. Tel
Aviv hi ir yhudit (Tel Aviv is a Jewish City). Text and
melody: anon.
80.3
3. Rainu
amalenu. (We behold our toil). Text: Levi Ben-Amitai.
Melody: Shalom Postolsky.
80.4
4. Holem
tsaadi (My step resounds). Arrangement No. 2. Text: Jacob
Schoenberg. Melody: Mordechai Zaira. Arrangement No. 1
missing.
80.5
5. Holem
tsaadi, Arrangement No. 3.
81
Lied,
Anrede, Hymnus, Strophe zarteste Bewegung. March 1939. Ob,
pno, or pno solo.
82.0
Psalm 64
and Isaiah Chapter 35. May 1939. S, pno.
82.1
1. Psalm
64, "Hear my voice, O God, in my prayer." April 1939.
82.2
2.
Isaiah Ch. 35, "The wilderness and the solitary place."
83.0
Three
Time Wedding [Yemenite Songs and Dances.] 1939.
1.
Jiddische Hochzeit. 2. Jemenite dance no. 1 (Andante con
moto). 3. Jemenite dance no. 2. May 1939. 4. Halevi
(Jemenite song) (Andante). 5. Horra, music by Sarah Osnath
Halevy. 6. Jemenite dance IV (con moto). May 1939. 7.
Arabische Tanzen no. 1. 8. Arabische Tanzen no. 2.
83.9
[Fragment.
Turque.]
83.10
[Fragment.
Wiegenlied.]
84.0
Zemach
Suite. 1939. Pno.
1. Song.
June 1939. 2. Piece of embittered music. June 1939. 3. Fuge
a 3, no. 1. June 1939. 4. Fuge a 3, no. 2. June 1939. 5.
Jubilation. June 1939. 6. Complaint. July 1939. 7. Dance in
Form of a Chaconne. Nov 1939.
85.0 Five
Declamations for Speaker and Piano. 1939.
85.1
1. Ich
gedenk der Günzigkeit. Aug 1939 [≈84.1]
85.2 2. A
Leib is Aufgegangen (No. 6). July 1939. [≈84.6]
85.3
3. Wie a
steig ful mit Veigeln. July 1939. [≈84.2]
85.4
4.
Mesiken is dein Bruch. July 1939. [≈84.3]
85.5
5. Ich
wel Dich noch oifbauen. Aug 1939. [≈84.4]
86
[Fragment.
Israel and His Land. Cantata.]
87.0
Two
Songs of Bialik. 1938-9.
87.1
1. O tife himlin. Oct 1939. Bar, pno.
87.2
2.
La-menatzeach al ha-mecholot. 1938 [≈75]
88
[Fragment.
Hebrew Song Arrangements.]
89
[Fragment.
Moladeti.]
90 [Fragment.
The Prophets. Cantata.]
90a
Suite
for Marthe Krueger. 1940. 2 pno.
1. The Women
2. Remembrance
3. The Tides of Man
91.0
Sonata
for Oboe and Piano. 1937-8, 1941.
1. Tanz.
Allegro comodo. 2. Molto adagio. 3. Embittered, violent,
and quick. 4. Allegro con grazia. 1941
92
P.I.
Tchaikovsky, Serenade for Strings. Arr. for 2 pno. June
1941.
93
J. S.
Bach, Double Concerto (S. 1043). Arr. for 2 pno. n.d.
94.0
Two
Pieces for Piano Two Hands. 1941.
1. Pastorale for Piano. 2. Con fuoco.
95.0
Toccata
in Three Parts for Piano. July 1941.
1. Allegro moderato. 2. Adagio. Too much suffering in the
world. 3. Double Fugue.
96
[Fragment.
Palestine at War. Film music.]
97.0
The Man
From Midian for Two Pianos. Jan-Feb 1942. Scenario:
Winthrop Palmer. Choreography: Eugene Loring, Loring Dance
Players.
Part I.
1. Overture. 2. Serfdom, lamentation. 3. Mother conceives
child. 4. Pharaoh’s daughter, bathing in Nile, finds baby.
5. Procession. 6. The pet of court--political intrigue. 7.
Moses among the workers. 8. Moses buries the taskmaster in
the sand.
Part II. 9. Conversation with God. 10. Moses meets Aaron.
11. March through the Red Sea. 12. Restlessness. 13.
Aaron’s desperation. 14. Joshua’s pleading. 15. Bacchanal.
16. Return of Moses. Moses falls on the arm of Joshua. 17.
Moses walks among the people. Commands some to be killed.
18. Gathering of people.
98
The Man
From Midian: First Suite for Orchestra. 1942. [≈97.1-97.8]
99
The Good
Spirit of a Right Cause. Nov 1942. Encouragements for
Piano.
100
[Fragment.
Simple Music. Encouragements.]
101
[Fragment.
Music for WOR.]
102.0
Drei
Lieder von Bertolt Brecht. Apr 1943. Low voice, pno.
1. Ballade von den Osseger Witwen. 2. Der Gott sei bei uns.
3. Keiner oder Alle.
103.0
[Folk
Song Arrangements for Sarah Gorby.] Dec 1943.
1.
Malaguenas (Arr. no. 6). Dec 1943. 2. Melodie hebraique
(Arr. no. 7). Dec 1943. 3. Le coeur de ma vie, Jacques
Dalcroze (Arr. no. 8). Dec 1943. 4. Arrangement in C minor.
5. [Arrangement in E minor].
104
[Fragment.
Klarinettenquartett.]
105.0
[Two
Choral Songs]. Aug 1944. SA.
1. Moshe v'ha-sneh. Text: E. Lisitzki. 2. Piyutim Ktanim.
Text: I. Gabirol.
106
Yigdal.
Cantata. April 1945. Text: Maimonides. Bar, SATB, org.
107.0
Zwei
Lieder aus Gedichten von Berthold Viertel. April 1945.
1. Lebensmüdigkeit. 2. Salomonischer Spruch.
108
[Fragment.
Clarinet Trio.]
109
[Fragment.
Garcia Lorca Cantata.]
110.0
Three
Songs for Medium Voice and Piano. 1946.
110.1
1. Unto
the New Day. [≈60.5]. Eng. trans. Elizabeth
Papernow-Shapiro.
110.2
2.
People's March. Text: E. Papernow-Shapiro.
110.3 3. O
Captain, My Captain. Text: Walt Whitman.
111.0
Encouragements
for Piano, First Piece, Battle Piece. 1943-4, 1947.
1. Quasi
presto. 2. Molto sostenuto. 3. Con moto ma non troppo. 4.
Vivo. 5. Moderato.
6. Con brio. 7. Allegro ma non troppo.
112 Lazy
Andy Ant. 1947. Text: Helen Jill Fletcher. S-narrator, 2
pno.
113.0 Suite
from Lazy Andy Ant. 1947. 2 pno.
1. Triumph Song. 2. Judge Sentence Song.
114.0
Music
for Any Instruments. 1944-9.
114.1 1. Three
Canons a 3. 1944.
114.2
2. About
the seventh in settings for two voices. 1945-6.
114.3
3. Two
studies for piano, part I: Displaced spaces, Shocks,
Negations, A new sort of relationship in space, Pattern,
Tempo, Diversity of actions, Interreactions and
intensities. 1946.
114.4
4.
Melische Übungen von Verbindungen zweier und vielfacher
Quarten: Eroberung des Melos. 1947-8.
114.5
5.
Spheres of Fourth in Three-part writing. Quarten-3 stimmig.
114.6
6. On
thirds, sixths, and tenths, part 1: On thirds. May 1948.
114.7
7. On
thirds, sixths and tenths, part 2: On sixths.1948.
114.8
8. On
thirds, sixths and tenths, part 3: Series of extensive
pieces. 1948. [inc.]
114.9
9. On
thirds, part 1: Two pieces for two voices. June 1948.
114.10
10. On
thirds, part 2. 1948.
114.11
11. Four
little pieces about the tenth for two voices. 1949.
115.0
Two
Studies for Piano, Part II. 1948.
1. Vivid and enraged. 2. Broad, with a feeling of profound
intensities.
116
Song of
Songs (My beloved is white and ruddy). Text: Song of Songs,
5:10-16; 2:5. Mz, pno. [1949]
117.0
Sonata
for Violin and Piano, op. 20. July-Aug 1949.
1. Un poco allegro. July 8-23. 2. Andante appassionato.
June 20-July 6. 3. Lento.
4. Allegretto deciso. Aug 22.
118
[Fragment.
Set of Three Movements for Two Pianos and Six Hands.]
119
Excerpts
from Dr. Einstein's Address about Peace in the Atomic Era.
[Feb-March] 1950.
120
A Few
Piano Pieces for Youngsters. March 1950.
1. Moderato. March 12. 2. Andante, calm March 13. 3.
Serene. March 12. 4. [inc.]
121.0 Set of
Twelve Pieces for String Quartet. July-Aug 1950. An
attempted application of a definite harmonic structure
22/3(4)
22/+3(4).
1. Con
brio. 2. Vital. 3. Quick. 4. Forceful. 5. Animated. 6.
Comodo. 7. Quick. 8. Con moto 9. Energetically quick. Not
too slow. 11. [No heading.] 12. Calm. [inc.]
122.0
Quartet
for Trumpet, Tenor Saxophone, Percussion and Piano. 1950-4.
1. Lento. (Recomposed, 1954.) 2. Con moto.
123.0
Music
for a Dancer. 1950. Pno.
1.
Spirited. 2. Andante. 3. Fast and intense; Love Duet; À la
"Tango"; Tango d'Apaches.
4.
Vital, joyous.
124
[Fragment.
String Quartet. 1950-1.]
125.0
Seven
Pieces for Three Pianos. Feb 1951.
1. Calm.
2. Aggressive. 3. Precipitately. 4. Moving, stiff
throughout. 5. Tired. 6. Taut like a high voltage wire. 7.
Moving moderately.
126
Waltz
for Merle. Jan 1952. Pno.
127
Music
for The
Good Woman of Setzuan. Text:
Bertolt Brecht. Trans. Eric Bentley. [Jan-Feb]1953. Voices,
pno. Overture and 18 songs.
128.0
Six
Songs for The
Good Woman of Setzuan. Feb
1953.
1. The
Song of the Smoke. 2. The Song of the Water-Seller in the
Rain. 3. The Song of the Defenselessness of the Gods and
Good Men. 4. The Song of Saint Never-Never Day.
5. The
Song of the Eighth Elephant. 6. The Trio of the Vanishing
Gods on the Cloud.
129.0
Enactments
for Three Pianos. Nov 1953.
1. Chant. 2. In a state of flight. 3. Held in. 4.
Inception. 5. Fugal motions.
130.0
Piece
for Oboe, Cello, Percussion, and Piano. 1954.
1. Early
morning music. Aug 1954. 2. Calm. 3. Intense and spirited.
July 1954. 4. Taut; to oneself. Oct 1954.
131.0
To
Hilda, A Little Song of Confidence. [1954]. Pno.
1.
Moderately. 2. Procession. 3. Run. 4. Dance.
132
David's
lament over Jonathan. Text: II Samuel 1:19-21, 24, 27.
[Aug?] 1954. Bar, pno.
133.0
Music
for Peer
Gynt of
Henrik Ibsen. [Oct?] 1954. Voices, pno.
1. The
Three Girls, Tron of the Valf jild. 2. I double locked my
paradise. 3. I am a blissful gamecock. 4. The prophet is
come. 5. Young Peer Gynt is the maddest wag. 6. Maybe both
the winter and the spring. 7. Memnon's Statue Song: From
Demigod's ashes. 8. Now all is ready for Whitsun eve. 9. Oh
morning thrice blest, or Churchgoer's Song. 10. Sleep, thou
dearest boy of mine.
134
[Fragment.
Music for Faust
Foutu of
Robert Duncan.]
135.0
[Four
Pieces for Mixed Chorus]. Originally, Three Pieces for
Mixed Chorus with Words from the Bible and a Piece by
Gershon Shofman). [Jan] 1955.
135.1
1. Psalm
122:1-9.
135.2
2. Shlu
naaleichem. Text: G. Shofman.
135.3
3.
Isaiah 4:18-22.
135.4 4.
Jeremiah 31:6-12.
136
[Fragment.
Symphony for 24 Instruments.]
137.0
Apollo
and Artemis. Text: Ezra Pound. [May] 1955. Med voice, pno.
1. First version. 2. Simpler version.
138.0
Symphony.
1955-6.
1. Not too slow. 2. Charged. July 1955. 3. Alive. Sept
1955.
139.0
Quintet
with Voice. April 1957. Cl, hn, vc, hp, pno, Bar.
1. Of festive grace. 2. Here the sun violet. Text: Hilda
Morley. 3. Variations.
140.0 Music of
Introduction and Setting the Frame to the Choruses
of King
Oedipus of
Sophocles. Adaptation: W.B. Yeats. Nov 1957. Speakers, pno.
1.
Introduction. 2. Chorus 1. What message comes to famous
Thebes. 3. Chorus 2. The Delphian rock has spoken out. 4.
Chorus 3. For this one thing above all I would be praised.
5. Chorus 4. What can the shadow-like generations of man
attain. 6. Chorus 5. Make way for Oedipus all people said.
141.0
Scene
from The
Hour Glass. Text:
W.B. Yeats. Oct 1958.
1. Scene. The Master has come. 2. Song. Who Stole Your Wits
Away.
142 Dust of
Snow (The Way a Crow). Text: Robert Frost. 1958. SATB.
143.0
[Two
Song Arrangements.] n.d. [1958?] SATB.
1. Go Down Moses. 2. Little Wheel A-turnin'.
144 Lively.
(Signed, "Wolpe Why not".) n.d. Pno. Song in popular style.
145
Form for
Piano. May 1959.
146
[Fragment.
Theater Music.]
147.0
Music
for Medium Voice and Piano. 1959.
1. Song.
I left my love upon a hill. Text: Willis Barnstone.
2.
[Vocalise] Music for Medium Voice and Piano.
148.0
[Three
Songs for C.W. Post College.]
148.1
1. Under
Green and Gold Step the Pioneer Bold (C.W. Post College
Song). Text: Julian Mates. 1959. Unison chorus.
148.2
2.
All-Wielding God. 1959. Anthem, SATB, fl, ob, 2cl, tpt,
trb, cb, perc.
148.3
3. When
Evening Falls. n.d. [1959?]. SATB.
149
[Fragment.
Second Sonata for Violin and Piano. 1959.]
150.0 Piece in
Two Parts for Flute and Piano. November 1960.
1. quarter note = 88. 2. half note =112. Spirited.
151.0 Music
for The
Tempest (Shakespeare).
With Raoul Pleskow. 1960. Chamber ensemble of 15 players.
18 items. Fl, ob, 2 cl, A, T, Bar sax tpt, trb, hp, vn, vc,
cb, pno, voices.
1. Come
unto these yellow sands. 2. Full fathom five. 3. Quiet
music. 4. Solemn music. 5. While you here do snoring lie.
6. Drunken-comic music. 7. Flout 'em and scout 'em. 8.
Dance I. 9. Iris--soft music. 10. Honour riches marriage
blessing. 11. Answer your summons. 12. Dancelike. 13. Love
music (à la Tristanito). 14. Solemn music. 15. Where the
bee sucks.
16.
Solemn music. 17. Epilogue.18. Mysterioso.
152.0 Piece in
Three Parts for Piano and Sixteen Instruments. 1961. 2fl,
ob, cl, Bar sax (Bcl), 2hn, 2tpt, tba, hp, ele gui, perc,
vn, va, vc.
1.
quarter note = 100. 2. quarter note = 74. 3. quarter note =
132.
153.0
Music
for The
Exception and the Rule. Text:
Bertolt Brecht. Eng. trans. Eric Bentley. 1961. Voices,
tpt, cl, bn, perc, pno. 9 songs.
1. As I
did not sleep. 2. Sick men die. 3. Urga, Urga. 4. Here is
the river. 5. This is how man masters. 6. Sick men die.
Reprise. 7. In the wake of the robber hordes (Song of the
tribunals). 8. Such is the rule. 9. For in the system.
154 To a
Theater New. Text: Winthrop Palmer. 1961. S, pno.
155.0
In Two
Parts for Six Players. March 1962. Cl, tpt, vn, vc, hp,
pno.
1. quarter note =72. 2. quarter note =120.
156
[Fragment.
Ouverture to the Noh Play, Hanjo.]
157
Street
Music: A Counter-offering to the Musical Offerings of Ten
Composers on my 60th Birthday. Text: Stefan Wolpe. Nov
1962. Bar, narrator, fl, ob, cl, vc, pno.
158
Piece
for Two Instrumental Units. 1962-3. Fl, ob, pno, vc, vc,
cb, perc.
159.0
Cantata
for Mezzo-Soprano, Three Women's Voices, and Instruments.
1963. Fl, cl, bn, tpt, trb, 2vn, va, cb.
159.1
1. New
World. Text: Friedrich Hölderlin.
159.2
2.
Smells that intoxicate. Text: Herodotus.
159.3
3. I
know a man. Text: Robert Creeley.
159.4
4. I had
wanted a quiet testament. Text: Robert Creeley.
160.0
Singables.
[1963] Voice and pno.
160.1
1.
[Fragment. Singables.]
160.2
2. The
Angel. "I dreamt a dream." Text: William Blake.
161
Chamber
Piece No. 1 for 14 Players. 1964. Fl, ob, eh, cl, bn, tpt,
hn, trb, pno, 2vn, va, vc, cb.
161.0
Piece in
Two Parts for Violin Alone. 1964.
1. quarter note =ca. 80. 2. half note =ca. 112
162.0
Trio in
Two Parts for Flute, Cello and Piano. Feb 1964.
1. Quarter note =ca.132. 2. Quarter note =ca. 80
163.0
Arrangements
of 16 Songs from Die
Hauspostille of
Bertolt Brecht. Trans. Eric Bentley. 1965. Voice and pno.
1.
Apfelboeck; or the Lily of the field. 2. Hymn of the Red
Army Soldier. 3. Orge's Hymn
4.
Orge's Answer. 5. Grand hymn of thankgiving. 6. Ballad of
the adventurers. 7. Ballad of the pirates. 8. Memory of
Marie. 9. Off to Mahogonny. 10. To stay in Mahagonny. 11.
God in Mahogonny. 12. Alabama Song. 13. Benares Song. 14.
Chorale of the Man Baal. 15. On the seduced girls. 16.
Legend of the dead soldier.
164
Second
Piece for Violin Alone. 1966.
165
Piece
for Viola Alone. 1966. [≈164]
166.0
Solo
Piece for Trumpet. 1966.
1. Graceful, talking. Quarter =100. 2. Not too big,
intimate. Quarter =136.
167
Chamber
Piece No. 2 for 13 Players. 1967. Fl, ob, cl, bn, hn, tpt,
trb, perc, pno, vn, va, vc, cb.
168
From
Here on Farther. March 1969. Cl, Bcl, vn, pno.
169.0
String
Quartet. 1969.
1. Quarter note =92. 2. Quarter note =144.
170
Form IV:
Broken Sequences. 1969. Pno.
171.0
Piece
for Trumpet and 7 Instruments. 1971. Cl, bn, hn, tpt, vn,
va, vc, cb.
1. Quarter note =108. 2. Quarter note =ca. 138.
2. Fragments
11 Als er
gegen seine Schöne. Oct 1925. Text: Klopstock. S, pno. At
least 2 pages missing, 64 bars remain.
15
Kantate
für Baryton, Bratsche, Cello, und Kontrabass nach 5
Gesängen der Rainer Maria Rilke 1914 (Five Hymns). 1926.
Full score breaks off after 43 bars.
21
Marsch
für Klavier Vierhändig "Recht und links". 1928. First page
of second piano part.
23
Choral
piece. “...jawohl es muss die Ehrlichkeit.” Dec 1928. SATB.
35 Prolog
für Troilus
und Cressida. Text:
Walter Mehring. 1929. SATB, cornet, trb. 24 bars.
41.0
Zwei
Liedfragmente von Ernst Ottwalt. n.d. Med. voice, pno.
41.1 1. Das
Lied vom schönen Leben.
41.2 2. Das
Lied von der Geduld. [inc.]
43
Deutschland,
Deutschland über alles, und Variationen darüber. 1931.
Breaks off after 16 bars.
44
Kein
Dirnenlied. Text: Peter Hammerschlag. Voice, pno.
45 Lied der
roten Stürmer. Text: anon.
46.0 Die
Passion eines Menschen. Revolutionäres Tanzspiel, based on
the woodcut novel of Jan Masereel. Text: Ludwig Renn.
Choreography: Hans Weidt. 1931. Voices, pno. 10 items, most
incomplete.
46.7 7.
Trauermarsch. [≈58.4]
46.12
12. Es
wird die neue Welt geboren. [≈49.3]
48.0
Sportrevue,
Alles
an den roten Start. Text:
Siegfried Moos. Feb 1932. 2 cornet, 2 tpt, 2 hn, 2 T hn,
Bar hn, trb, tba, perc. 4 numbers in instrumental score.
48.3
3.
Stählt die Muskeln. (Kampflied) [≈49.14]
51.0
Musik
zu Wer
ist der Dümmste? op. 18c.
Text: Wangenheim. 1933. Third and last production of Truppe
31. Voices, pno.
51.6
6. Es
wird die neue Welt geboren. [≈46.12]
56.0
Konzert
für Neun Instrumente, op. 22. 1933-4. Fl, cl, bn, tpt, hn,
trb, vn, vc, pno. Violin part and full score missing.
1.
[Untitled]. 2. Adagio. 3. Lied ohne Worte. 4. Variationen.
57
Zärtliche
Adresse. [Mar 1934]. Voice, pno. Vocal line missing.
60.3 Regel
Harima. [1934]. SATB. Breaks off after 52 bars.
79
Sonate
für Hoboe und Klavier. 1937-8. Breaks off after 50 bars.
83.9
Turque.
For voice and piano. n.d.
83.10
Wiegenlied.
For voice and piano. n.d.
86
Israel
and his Land. Cantata. Text: Pinski. 1939. 29 pages of
first draft of piano vocal score. A few pages of score for
cl, vn, va, vc, pno. Text above staff. Four numbers, three
more or less complete.
88.0
[Hebrew
Song Arrangements. 1939.]
1. Andante. 2. Moshiach. [inc.] 3. Jefim Helelot. [inc.] 4.
Lo nelech mipo. 5. Vivo. [inc.]
89
Moladeti.
Voice, pno. 1940. Voice part lacks text. Music for 5
stanzas of the song.
90
The
Prophets. Cantata. Text: Saul Tchernichowsky. 1940.
Piano-vocal
and short score, 28 pages. The Yiddish text is based on the
Book of Jeremiah, Ch. 9 and following.
96.0
Palestine.
Music for a film for the Palestine Labor Committee,
composed with Trude Rittman. 1941. Fl, vn, va, vc, pno.
Eight items, of which 3 were scored by Rittman. The final
item, "Jewish Soldier's Day", is Rittman's scoring of
Wolpe's march song "Rote Soldaten."
1.
Military Review. 2. Diamonds Shopview. 3. Top of Saw Mill.
4. Shir Haadama. (Rittman)
5. Children at Givat Brenner. 6. Tel Aviv. (Rittman) 7.
Shikim Cooperative Houses.
8. Jewish Soldier's Day. [≈42.4. Rote Soldaten]
100.0
Simple
Music With Definitely Political Intentions for piano, band,
or any other instrumental combination. 1942.
[Encouragements, No. 2] Vocal score with piano part and a
few bars of the vocal line.
1. These
wonderful people. 2. Couplet against the beat. [inc.] 3.
Win this war but change the world. [inc.]
101
Music
for WOR. n.d. Pno. 7 pages with cues for radio play about
the war: "Palestine speech", "never surrender", "Hit the
dirt, they're Germans".
104
Klarinettenquartett.
Jan 1944. Cl, vn, va, vc. Breaks off after 81 bars.
108 Fragments
of a Trio for Clarinet, Violin and Cello. May-June 1945.
Breaks off after 14 bars.
109.0
Garcia
Lorca Cantata. Text: Federico Garcia Lorca. 1945. Cantata
for S, Bar, speaker, and small orchestra.
109.1
1.
Lament for Ignacio Sanchez Mejias. Breaks off after 29
pages of condensed score.